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''Metroland'' is a 1997 British comedy-drama film directed by Philip Saville and starring Christian Bale and Emily Watson. Written by Adrian Hodges, based on the novel ''Metroland'' by Julian Barnes, the film is about a man whose calm and predictable life is disrupted by the sudden reappearance after ten years of his best friend, which leads him to remember his carefree youth in Paris, to question some of his lifestyle decisions, and to re-evaluate his life and marriage. Mark Knopfler wrote the score and produced the ''Metroland'' soundtrack, which is supplemented by some additional tracks appropriate to the period depicted in the film.〔(【引用サイトリンク】work=The New York Times )〕 The executive producer Andrew Bendel and director Philip Saville needed 3 songs from the punk era to be included in the live band scenes played by a fictitious group called The Subverts. Danny de Matos and Del Bartle were asked to write the songs to be included in the film. These three particular songs featured in the film (although not included on the Polygram soundtrack) "Amerikkka We Hate You", "Destroy the Hoi Polloi" and "You Destiny" were also produced by Danny de Matos. ==Plot== In 1977, Chris (Christian Bale) and Marion (Emily Watson) are leading a quiet married life with their child in Eastwood in the London suburbs known as Metroland, the staid commuter region at the end of the London Underground's Metropolitan Line. Their predictable life is disrupted by an early morning phone call from Chris's boyhood friend Toni (Lee Ross), who has returned to England after several years of wandering through Africa, Europe, and the United States as a bohemian poet. Years before, the two shared a dream of fleeing slow suburban death to live in avant-garde splendor in Paris. Toni's return sparks memories in Chris about their frenetic days in Paris in the late 1960s. Uneasy about the lifestyle he's chosen—having abandoned his youthful passion for photography for a steady job as a London banker—Chris takes long walks at night, making lists in his head of things for which he should feel grateful. Feeling that something is missing in his life, Chris sees in Toni the person he could have become—a free spirit living a vagabond's existence without ties or responsibilities. Toni openly looks down on Chris for his acceptance of middle-class complacency, a mortgage, and a nine-to-five job. One night, Chris goes to a punk rock club with Toni who gets him stoned on cannabis. Idealising his friend's lifestyle, Chris begs Toni to reveal his secret for happiness, and Toni responds that it's doing what you want, not what others want. With his stagnant and predictable marriage, Chris increasingly dwells on the past. He rediscovers naked pictures of his former French girlfriend, Annick (Elsa Zylberstein), and in the coming days he thinks back to 1968 when they were in Paris together. He remembers taking on the personna of a French beatnik with a contempt for all things English. His French fantasy was interrupted when he met Marion, who was holidaying in Paris some friends. Taken aback by this pragmatic and smart Englishwoman, Chris began spending time with her, telling her about Annick and his ambivalent feelings toward England. Unimpressed with his unrealistic dreams, Marion informed him that eventually he would get married because he was "not original enough" to avoid marriage and a conventional future. When Annick learned about his friendship with the Englishwoman, she broke off their relationship. Back in the present, Chris is unable to get over the feeling that he has surrendered his youth and ideals to a life he once swore he would never lead. One night he attends a party at Toni's girlfriend's house, arriving without his wife. There he hears Toni casually mentioning that his girlfriend just had an abortion, and then sees him flirting with another woman at the party—doing what he wants to do. Later, Chris meets a beautiful woman, Joanna (Amanda Ryan), who invites him to sleep with her. After learning that Toni in fact asked her to sleep with his friend as a way of undermining his marriage, Chris rejects the offer and returns home to Marion. The next day, Chris comes home from work and finds Toni in the house with Marion. Toni hints that he and Marion had sex, and the two friends get into a fight in the garden. Later, Marion tells him that Toni made a pass at her, but that she rejected him. She tells him that despite all of his talk, Toni is really only jealous of Chris and the life he's chosen. The next day, Toni shows up at Chris' house to say goodbye before headed to Malibu, where he intends to do some screenwriting. He tries to tempt Chris into leaving his life behind and come with him, but Chris refuses, admitting, "I like my life; I'm content." That night, while Chris is on one of his walks, Marion approaches and asks what he would put on the list for "happy". Chris responds, "Happy—if not now, never." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Metroland (film)」の詳細全文を読む スポンサード リンク
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